Saturday, 27 April 2019

Indie Spotlight: Researching the Raj - Ann Bennett

In this post I talk about my fascination for India, and my research into the British Raj for my novel 'The Foundling's Daughter.'

Me on a trip to Udaipur in 1990
I’ve been fascinated by India from an early age. My father was posted to the North West Frontier – now the border between Pakistan and Afghanistan - in the 1930s, and used to tell many stories from his time there, as well as speaking fluent Urdu. This kindled my interest in the region.

On trips to India in my twenties I was struck by how British influence still pervaded, largely in the buildings and architecture, but in other ways too – in the bureaucracy encountered in booking a rail ticket, in the love for the English language, and in some traditions - the love of cricket, and tiffin in the afternoons. In some of the towns I visited – Agra and Jaipur for example – there were many forlorn, abandoned bungalows where British officials would once have lived, now derelict and crumbling, their gardens overgrown, together with churchyards full of graves of the British who had met an early death far from home. This got me wondering about the lives of those people – what must it have been like to make a home in such a different culture, so far from your roots, often in lonely and difficult conditions?

Wednesday, 24 April 2019

Presenting Allison Markin Powell, literary translator from Japanese



This month, Nicky Harman interviews Allison Markin Powell. Allison is a literary translator and editor and publishing consultant who translates fiction, nonfiction, biography, essays, and manga from Japanese.

Can you tell me a bit about contemporary Japanese literature? What's the most exciting trend that you can see?

One of the most exciting things about contemporary Japanese literature, as far as I’m concerned, is the current tide of women writers of various ages.  From my unofficial research, the data appear to show that female writers have won at least half of the most prestigious literary prizes in recent years, and in what may be a more revealing facet, they are selling just as many books as male writers—and in all genres, be it mystery or fantasy or horror, or plain old literary fiction.  But what concerns me is that this relative parity within the Japanese publishing landscape is not being reflected in English translation.  When I look at the titles and number of books published in English, the imbalanced proportion (26%) is similar to what exists among fiction that is originally written in English.  Whereas I’m excited that there are new as well as overlooked Japanese women writers who are finding a readership abroad—such as Sayaka Murata, Yukiko Motoya, Taeko Kono, and Yuko Tsushima, to name just a few—it’s disappointing to see what appears to be a Western distortion being imposed on such a robust harvest of literature.

Friday, 19 April 2019

Viewpoint: Mona Dash

Viewpoint invites authors to write about anything they want, as long as it's of interest to readers of Asian Books Blog.

Here, Mona Dash talks about leaving her native India, to save her child's life. Her son was born with a rare, genetically inheritable disease, SCID (severe combined immuno-deficiency). After his diagnosis, she set out for London so he could be given specialist treatment. She has written about her experiences in the memoir, A Roll of the Dice: a story of loss, love and genetics. This publishes next Monday, April 22.

Mona still lives in London, where she combines motherhood, and work in the technology sector with writing fiction and poetry. Her work includes the novel Untamed Heart, and two collections of poetry, Dawn-drops and A certain way.  In 2016, Mona was awarded a poet of excellence award in the upper chamber of the British parliament, the House of Lords.  Her work has been widely praised and anthologized. In 2018, she won a competition established to encourage and promote British Asian writers, the Asian writer short story competition, for her short story Formations.

A Roll of the Dice describes the ups-and-downs, the shocks and support, the false starts and real hopes of a mother with a sick child. Mona humanizes the complexities of genetic medicine, and writes her story of genetic roulette without self-pity. Her memoir contains valuable information for couples facing infertility and complicated pregnancies, for parents of premature babies and of children with SCID.

So, over to Mona…

Monday, 15 April 2019

Writing with Heart, Humour, and Honesty: An Interview with M SHANmughalingam

Award-winning author Dato’ Dr M SHANmughalingam—or Dato' Shan, as he is affably known—had his first solo collection of short stories launched by no less than HRH Sultan Nazrin Shah, the Sultan of Perak and Deputy King of Malaysia, just last October. His book cover carries HRH's endorsement and the book a Royal Foreword, for good reason: Shan is a national treasure of storytelling. The vibrant volume, evocatively titled Marriage and Mutton Curry, hit number two on the MPH bestseller list in Malaysia.

When I started reading Marriage and Mutton Curry, what struck me most was how warm it was, even as it delves into stories of the Jaffna Tamil community with incisive truth. Always honest, but always just as kind, Shan deftly navigates topics as broad as the Japanese occupation, red tape and diplomacy, colonial legacies and cultural intricacies of his Malay(si)a. He weaves references to Dickens’s Oliver Twist and Coleridge’s Ancient Mariner into the context of Malayan schoolboys and bureaucrats with equal parts unflinching irony, pointed humour, and joy. To quote Gillian Dooley’s review in Asiatic (Vol. 2, Dec 2018): “There is no sentimentality here at all: compassion, yes, but clear-eyed candour”.

Dato' Dr M SHANmughalingam (Picture courtesy of Epigram Books)


Wednesday, 3 April 2019

Tsundoku #3 - April 2019

Welcome to issue 3 of Tsundoku – a column by me, Paul French, aiming to make that pile of ‘must read’ books by your bed a little more teetering - fiction, non-fiction, photography and kids...and so...let’s start building your tsundoku pile for April….let’s start with new fiction...

Hideo Yokoyama’s fat detective novel Six Four was a massive sensation both in Japan and internationally a couple of years ago. Now Yokoyama is back with Precinct D (riverrun), a collection of four short stories all set in 1998 Tokyo and each one following one police officer faced with a difficult choice to make.



Introducing Ryu Murakami

Ryu Murakami is a Japanese novelist, short story writer, essayist and filmmaker. He explores human nature through dark themes of disillusion, drug use, murder and war, giving his work a surrealist, sinister air.  He is perhaps less well-known internationally than he deserves to be.  Singapore-based Piers Butel, who writes on culture and travel, here urges you to read him.

Scenes of staggering violence, a cast of misfits and outsiders, a twisted world that seems familiar but also deeply disturbing and a feeling that things probably won’t end up all right. The novels of Ryu Murakami are not always easy to read, but with drumming heartbeat-fast plots, cinematic sheen and a unique style, you won’t have time to be bored.

500 words from Sylvia Vetta

British freelance writer, author and speaker, Sylvia Vetta, is on her fourth career after teaching, running a business, and having a high-profile role in the antiques trade in England. In 1998 she began freelancing writing on art, antiques and history. She then took a diploma in creative writing, which led to the publication of her first novel Brushstrokes in Time.

Sylvia's husband, Dr Atam Vetta, is Indian, so she knows that chance encounters can change lives, and she is interested in cultural exchange. Her own experienced influenced Sculpting the Elephant, which concerns the relationship between British artist, Harry King, and Indian historian Ramma Gupta.  When Harry trips over Ramma their lives change forever, but can their love stand the strain of crossing cultures? Their story becomes entwined with the life of a maverick Victorian who mysteriously disappeared in the Himalayas while in search of the emperor who gave the world Buddhism, but was then forgotten for the next 2000 years.

So, over to Sylvia...

Saturday, 30 March 2019

Indie Spotlight: The Imperial Alchemist - AH Wang





As the new contributor to the Indie Spotlight, I'm thrilled to introduce my first guest, AH Wang who has been inspired by ancient Taiwanese history and mythology to write The Imperial Alchemist - a gripping archeological thriller with a difference, to delight fans of Indiana Jones and anyone interested in the history of this fascinating land. 

In this post she gives us some background to the book and the inspirations around it....

Friday, 29 March 2019

Circumstance out now in the UK

Rosie Milne's novel Circumstance, which published in Asia last November, is now available in the UK

Rosie is the editor of Asian Books Blog.  Her previous novels are How to Change Your Life, Holding the Baby and Olivia & Sophia - a re-telling of the life of Tom Raffles, the founder of Singapore, through the fictional diaries of his first wife, Olivia, who died young, and his second wife, Sophia, who outlived him.

Circumstance is set in the jungles of colonial Malaya in the 1920s.  It explores what happens when an adoring young bride is met on the doorstep of her  new home by her husband's former mistress.

It is 1924 and the British rule Malaya. Frank is a colonial administrator in a remote district deep in the jungle. Rose is the innocent young bride he’s just brought out from England. Nony is the native mistress he’d previously abandoned, along with their four children.

Wednesday, 27 March 2019

A New Kid on the Block for Literary Nonprofits






Paper Republic is proud to announce that it is now a UK-registered charity no. 1182259. Paper Republic was set up by Eric Abrahamsen in 2008 as a blog site where we translators of Chinese literature could share our thoughts, our joys and our frustrations. Since then we have developed a variety of other activities and gained a gratifying degree of recognition: "If you need to know something about Chinese literature you start here," said one of the judges at the 2016 London Book Fair Literary Excellence Award, where we were runners-up. "Paper Republic demonstrates superb collaborative working across a number of platforms including their growing networks, their redesigned website and innovative live activities.

Friday, 22 March 2019

Viewpoint: Soniah Kamal

Viewpoint invites authors to write about anything they want, as long as it's of interest to readers of Asian Books Blog. Soniah Kamal here talks about how she conquered her fear of cooking, and why food plays such a big role in her latest novel, Unmarriageable.

Soniah is a Pakistani-American writer. She is the author of two novels, An Isolated Incident (2014) and Unmarriageable (2019). Her work has appeared in numerous publications including The New York Times, in the USA, and The Guardian, in the UK. Her short stories and essays have appeared in critically acclaimed anthologies.

Unmarriageable is a retelling of Jane Austen's Pride and Prejudice set in Pakistan in 2000 and 2001. It highlights issues of colonialism, race, and Pakistani identity. Balli Jaswal Kaur, the Singaporean author of Erotic Widows for Punjabi Widows, said: "Soniah Kamal has gifted us a refreshing update of a timeless classic. Unmarriageable raises an eyebrow at a society which views marriage as the ultimate prize for women. This atmospheric novel does more than simply retell Pride and Prejudice though. Crackling with dialogue, family tensions, humour and rich details of life in contemporary Pakistan, Unmarriageable tells an entirely new story about love, luck and literature."

Unmarriageable simmers with accounts of delicious Pakistani food, to set readers' mouths watering. Of course, cooking is a big part of Pakistani culture, but Soniah wasn't always such a fan, and her path to making a perfect aloo gosht was a rocky one.

So, over to Soniah...

Monday, 18 March 2019

Lion City Lit: The Art of Connection in “Three Writers, Numerous Countries”, a reading at LASALLE College of the Arts

Why do we go to readings? To hear an author’s words in their own voice. To discover new contexts, new stories, and new ways of reading stories we already love. Perhaps most of all, to experience that delightful alchemy when several authors who’ve never met before come together, and the chemistry is palpable. The best readings, I find, are those where the whole becomes more than the sum of their parts, and the joyous reading “Three Writers, Numerous Countries” at LASALLE College of the Arts on 13 March was one such occasion.

L-R: Seema Punwani, Dr Angie Abdou, Grace Chia
Photo: Angie Abdou
Seema Punwani kicked things off with a warm, funny reading of two chapters from her debut novel Cross Connection. We were treated to a recount of the main characters’ first meeting from female protagonist Sama’s point of view, and then from male protagonist’s Zehn’s, where in a slyly done sleight-of-hand we discover that what Sama remembers as their first meeting was in fact their second—as Zehn recalls.

Dr Angie Abdou, visiting Artist in Residence for the week at LASALLE, took the stage to share with us her creative nonfiction as well as fiction, reading from her memoir Home Ice and latest novel In Case I Go. It’s a testament to the universality of good writing that these two very different and very Canadian stories—the true story of a year in Angie’s life as an ice hockey mom, and the story of a young boy and the Ktunaxa girl next door who are haunted by the misdeeds of their ancestors—captured the attention of this room of Singaporean listeners, half a world away from Canada. Themes of family, of parenthood, of how one makes sense of the world we live in in the present when we can’t quite shake off the past, proved to resonate beyond geographical boundaries.

Grace Chia, aided gamely by LASALLE MA Creative Writing Programme Leader Dr Darryl Whetter with the dialogue, then read her searing short story “Berries and Weeds” from the collection Every Moving Thing That Lives Shall Be Food. There was a serendipitous connection with Canada in this story, about a Singaporean girl who travels to Canada to meet a long-distance penpal turned lover, only to find that she grows up on this trip in ways she hadn’t expected.