In 1967, at the height of the Cultural Revolution, Hong Kong was rocked by a series of pro-communist riots against British colonial rule. These were so serious they threatened the colony’s existence. During the emergency, Syd Goldsmith was the American consulate general’s Hong Kong and Macau political officer – and the only white foreign service officer who spoke Cantonese. His role was to provide Washington with analysis of the unfolding drama, and to report back on the Hong Kong government’s ability to survive. He had access to information from the CIA, a Chinese double agent, and Hong Kong Government sources.
Hong Kong on the Brink: An American diplomat relives 1967’s darkest days is his account of a simmering city, plagued by violence and strikes whilst also dealing with a crippled transport network, water-rationing, takeover threats from Beijing, and roadside bombs.
Showing posts with label Hong Kong. Show all posts
Showing posts with label Hong Kong. Show all posts
Friday, 2 June 2017
Friday, 19 May 2017
New book: Policing Hong Kong by Patricia O’Sullivan
Policing Hong Kong – An Irish History is part of the Royal Asiatic Society Hong Kong Studies Series. It explores the role of Irishmen in the Hong Kong Police Force, from 1864-1950.
In 1918 Hong Kong was a tranquil place compared to war-torn Europe. But on the morning of the 22nd January, a running battle through the streets of a somewhat disreputable district, Wanchai, ended in what came to be known as “the Siege of Gresson Street”. Five policemen lay dead. Local people were so shocked that over half the population turned out to watch the victims' funeral procession.
One of the dead, Inspector Mortimor O’Sullivan, came from Newmarket, a small town deep in rural Ireland. Many of his colleagues were also Irishmen, from Newmarket.
Patricia O’Sullivan is a writer and researcher on the lesser-known aspects of Hong Kong’s history prior to 1941. Mortimor O’Sullivan was her great-uncle. This book is the result of her stumbling on an article concerning his death.
Using family records and memories alongside extensive research in Hong Kong, Ireland, and London, O'Sullivan tells the story of her great-uncle, his colleagues, and the criminals they dealt with. She also gives a rare glimpse into the day-to-day life of working-class Europeans at the time, by exploring the lives of the policemen's wives and children.
Friday, 30 September 2016
Indie spotlight: J. W. Durrah
Indie
Spotlight is Siobhan
Daiko’s monthly column on self-publishing. This month Siobhan
talks to indie author J. W. Durrah
J.
W. Durrah published his first short story, Something
to Remember, in Essence magazine
in 1972. An American, he has travelled widely in Asia, and he drew on his
experiences when writing his debut novel Jacob The Jew Vs. The Chinese Blood, which was published in July, through CreateSpace Independent Publishing Platform. A detective thriller, it is the first in a
planned series featuring NYPD detective Jacob
Jennings.
When
Jennings signs on for a three-year tour with the US Army’s Military
Intelligence unit, he expects to be deployed to Vietnam like his father before
him. Instead, he finds himself in Hong Kong, working a complex undercover sting
in cooperation with the Chinese police. Along the way he encounters Jerry
Baofung, a much-feared sorcerer, with links to the trade in illegal drugs.
Labels:
Hong Kong,
Indie spotlight
Thursday, 12 May 2016
Women in Publishing Hong Kong by Sarah Merrill Mowat
Women in Publishing (WiPS) is an international organisation working to promote the
status of women working in publishing and related trades by helping them to
develop their careers. Sarah Merrill Mowat is vice president of the Hong Kong chapter, and also coordinator of Imprint, HK WiPS’ annual anthology of members’
writing. Here Sarah talks about the
advantages of joining WiPS, and the latest issue of Imprint, which was
published in April.
Labels:
Hong Kong
Thursday, 14 April 2016
500 words from Ray Hecht
500 words from...is a series of
guest posts from authors writing about Asia, or published by Asia-based, or
Asia-focused, publishing houses, in which they talk about their latest books.
Here Shenzhen-based American Ray Hecht talks about his new novel South China
Morning Blues, published by Blacksmith Books based in Hong Kong.
Ray’s earlier books were The Ghost of
Lotus Mountain Brothel and Loser
Parade. He currently writes for Shenzhen
Daily, the only daily English-language newspaper in the south of mainland
China.
Labels:
500 words from,
China,
Hong Kong
Friday, 26 February 2016
Indie Spotlight: Allison Izard of Pixalib
Indie Spotlight
is our monthly column on self-publishing. This month Siobhan Daiko interviews
Allison Izard, the Hong Kong country manager at Pixalib, an international
company providing a publishing platform and online bookstore for visual books
by indie authors.
Labels:
Hong Kong,
Indie spotlight
Tuesday, 19 January 2016
Booksellers disappear in Hong Kong
As even the least likely probable reader of this blog must surely be aware there have been some worrying disappearances of booksellers in Hong Kong recently. For a statement of concern from the European and International Booksellers Federation see here.
Labels:
Hong Kong
Saturday, 19 December 2015
Tales of Two Cities: Hong Kong and Singapore
Tales of Two Cities: An Anthology
of Short Stories by the Hong Kong Writers Circle, and the Singapore Writers
Group presents four faces of each city: the changing city; the historic city;
the mystical city; the capricious city.
There are twenty three stories in the collection, which has been co-edited by
Alice Clark-Platts, and S. Micky Lin, from the Singapore Writers Group, and
Edmund Price and Harmony Sin, from the Hong Kong Writers Circle. Here, Alice Clark-Platts gives a glimpse of how the collaboration
worked.
Thursday, 29 October 2015
Q & A: Phillipa Milne
Lit-wise, Hong Kong and Singapore
are both busy at the moment. The Hong Kong International Literary Festival started on Monday, October 26, and runs
through until November 8. Meanwhile, The Singapore Writers Festival starts
tomorrow, October 30, and also runs until November 8. (The two Festivals often overlap; when last
year I asked why, I was told it enabled authors travelling long distances from
the West to visit both Hong Kong, and Singapore.)
Today, Phillipa Milne, Programme
Manager, Hong Kong International Literary Festival, answers questions. Tomorrow, it will be the turn of Yeow Kai
Chai, Festival Director, Singapore Writers Festival.
So: over to Phillipa…
Thursday, 9 July 2015
Hong Kong Gothic / Edmund Price
In March, the Hong Kong Writers Circle (HKWC) launched
Hong Kong Gothic, the tenth of its
annual anthologies of members’ writing. Edmund Price, the lead editor, gives
more details.
Labels:
Hong Kong
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